Nobody's standard-issue plotting and tired male posturing land far short of the B-Movie traditional it aspires to, but there is no denying the film's bone-crunching action. ซับไทย are masterfully staged, delivering a knuckle-busting spectacle of choreography that is practically on par with the John Wick trilogy. And Bob Odenkirk makes essentially the most of every shift in his role, conveying the dormant murderer's ruthless awakening with an undeniable conviction that he is aware of better than anyone the way to go about wreaking violence-fueled revenge.
The story is not with out its problems, in fact, but its premise and the truth that it is starring Odenkirk (Breaking Bad, Better Call Saul) make it straightforward to forgive. As Hutch, the man whose suburban household life is a mere facade for his violent alter ego, the actor exudes a sly sense of competence, as well as an undercurrent of gleeful lunacy. When he sets out on his revenge mission, Hutch isn't just blowing issues up; he is systematically dismantling the very foundation of the lives that have robbed him of their that means.
Derek Kolstad, who penned the screenplay for the John Wick films, is readily available to stoke the fires of Hutch's city revenge quest, and director Ilya Naishuller (who directed the first-person POV action film Hardcore Henry) delivers on the bananas visible type he teased in the trailer. That stated, there is a certain sense of repetition in the increase crash and bang bang, in addition to a lack of inventiveness in the battle scenes themselves.
Even so, the movie delivers a satisfying jolt of adrenaline that should please fans of the hyper-macho revenge genre. The factory-floor showdown is especially impressive, and the best way it ties back to Hutch's enigmatic previous is a satisfying twist.
Ultimately, although, the movie is best when it lays bare the calculus of movie violence and will get uncomfortably near a query America seems afraid to ask itself. Is one regular guy's happiness actually worth a pile of bodies? It's an attention-grabbing question, and one that a good thriller like Nobody can answer with the kind of eloquent violence the world hardly ever sees anymore..